The publication ‘Hands, Eyes, Ceramics’ aims to bring the diversity of ceramics as an art form to the fore. A diversity in which installation, photography and video all find their place alongside sculpture. It presents the work of Pierre Culot, José

The publication ‘Hands, Eyes, Ceramics’ aims to bring the diversity of ceramics as an art form to the fore. A diversity in which installation, photography and video all find their place alongside sculpture. It presents the work of Pierre Culot, José Vermeersch, Lutgart De Meyer, Rogier Vandeweghe, Anne Ausloos, Alexandra Engelfriet, Nathalie Doyen and Bie Michels.
Big part of our fascination with ceramics comes from the fact that it represents people’s connection with the earth. As a receptacle, the plate, the bowl and the vase are the ultimate objects and symbols of this link. The key focal point of ‘Hands, Eyes, Ceramics’ is people’s relationship with the earth. This is not only expressed through objects. Clay lends itself to the theme more than any other medium. Clay is earth. Artists bring the clay itself into focus, and the relationship with the earth becomes tangible.
Editing: Liesbet Waegemans Texts: Lotte Brown, Lut Pil, Liesbet Waegemans
Published by MER. B&L on the occasion of the exhibition ‘Kamer vol klei’, put together by Liesbet Waegemans, Museum Albert Van Dyck, Schilde
More info
Excerpt

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 The publication ‘Hands, Eyes, Ceramics’ aims to bring the diversity of ceramics as an art form to the fore. A diversity in which installation, photography and video all find their place alongside sculpture. It presents the work of Pierre Culot, José
Screen Shot 2023-09-26 at 10.51.47.png
Screen Shot 2023-09-26 at 10.55.25.png
Screen Shot 2023-09-26 at 10.55.58.png
Screen Shot 2023-09-26 at 11.03.14.png
Screen Shot 2023-09-26 at 10.56.28.png
Screen Shot 2023-09-26 at 10.57.09.png
Screen Shot 2023-09-26 at 11.03.37.png

The publication ‘Hands, Eyes, Ceramics’ aims to bring the diversity of ceramics as an art form to the fore. A diversity in which installation, photography and video all find their place alongside sculpture. It presents the work of Pierre Culot, José Vermeersch, Lutgart De Meyer, Rogier Vandeweghe, Anne Ausloos, Alexandra Engelfriet, Nathalie Doyen and Bie Michels.
Big part of our fascination with ceramics comes from the fact that it represents people’s connection with the earth. As a receptacle, the plate, the bowl and the vase are the ultimate objects and symbols of this link. The key focal point of ‘Hands, Eyes, Ceramics’ is people’s relationship with the earth. This is not only expressed through objects. Clay lends itself to the theme more than any other medium. Clay is earth. Artists bring the clay itself into focus, and the relationship with the earth becomes tangible.
Editing: Liesbet Waegemans Texts: Lotte Brown, Lut Pil, Liesbet Waegemans
Published by MER. B&L on the occasion of the exhibition ‘Kamer vol klei’, put together by Liesbet Waegemans, Museum Albert Van Dyck, Schilde
More info
Excerpt

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